Neopastel II and graphite in sketchbook
Neopastel, marker pen and graphite on Bristol Board, 8x8 cm
And then I came across this skyscape by the Danish painter Vilhelm Hammershoi in my daily calendar:
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It made me laugh - the text on the back emphasised the drama in the sky in contrast to the uneventful landscape - I was really intrigued to what let him paint the cumuli clouds in such a naive manner. I found a retrospective of his a few years back at the Hamburger Kunsthalle, with most of his paintings being intricate interiors. This site here shows some of them, as well as another landscape.
1 comment:
The calendar scene looks exactly as if it were painted from my home! I see the urge for simplicity in an environment with few details.
I like your experiments. I encourage pencil work (or charcoal) for cloud studies because of the easy and near-infinite range of values they give.
My set of gray Carre Sakura pastels (with warm and cool grades) is a perfect cloud maker. Someone said that Conte makes a set of grays.
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