recordings

... used to happen here much more frequently.

they have moved since. but, frankly, it's a bit of a mess. i am trying constantly to figure out how and what and also for whom i am recording.

i am thinking back to the many discussions i. and i used to have about diary writing, about keeping records. for ourselves or for others. i am also thinking about diaries burnt on a frequent basis so as not to leave a record.

part of my current recording mess is to do with teaching instructions: to keep a logbook of your learning. hah - something i turn to also when i am teaching. reflective journals abound to provide a space to externalise, reflect and thus absorb more easily what is to be learned.

do i record textually, visually, aurally? organised by subject; by approach; by who it is for?

all these questions stop me from recording. i need to figure out the entirety before i can get started. and the entirety needs to provide plenty of openings for unforeseen developments. oh dear... thinking and living in wholeism can be a bit daunting.

so, i'm devising ever more journals in my electronic journalling software notetaker (very good, exc. that it is not half as integrative as it claims to be, and exporting to pdf is a bit of a pain); have written notebooks (divided in three; currently: General/Research - Art - Skills work); and plenty of sketchbooks, divided into portability, assignment work, and general.

my plan is to work on 2-3 art projects at any one time; my plan is also to organise these a bit like course modules. there are three in development: (1) soundworks/ (2) landscapism art, naturally/(3) body identity makings. the middle one is the most clearly formed (somewhat easily so: it's a more decisive interrogation of my fieldwork paintings/drawings/prints to take in also an urban element (beginning with matta clark) and some details of nature). the media for these will largely be drawing and printmaking (etching) for the next year.

[the 2-3 limitation is a bit of a cop out, easily unmasked: there are as much as 20-30 strands on the go at any one time, and i maintain that i can maintain these with ease... ever optimistic]

today, (2) landscapism in art, naturally, acquired its first page in the new a3 sketchbook that will be the overall holding file for it. phew. that only took me six weeks, largely due to my recording hang ups, see above.

page 1, monotype, 20x25cm

happy recording - wherever and however.