klee's concerns with time - when time falls apart as in Die Zeit, see the post here - occupied me before. so, while searching for examples of how artists use simple printmaking techniques - notably monotype - i finally understood how klee's oelpausen - as an oil-transfer technique work: essentially as monotype backdrawing done on a paper covered with oil paint. - that much for technique.
it produces characteristic shadows. but again, the concept grabs me: uhrpflanzen - watch plants. the ambiguity of language in german as it refers to ancient plants also; and in english: watch plants. watch for them and watch them change. my brain is turning around this.
the synergy between concept and technique is one of observation, taking note: the visual imagery is rather similar, albeit differently produced, to my one of my wild carrots drawing.
but here's first the watch plants.
paul klee, uhrpflanzen, 1924,
oil-transfer and water colour on paper and board,
46x30.5cm, musees royaux des beaux-arts de belgique, brussels