Friday, 6 August 2010

the weekly growth

of my wild carrot bunch lies already two weeks back. i'd be curious to see what they may look like now. should i ask my dad to venture out to the patch (i'm sure he'd find it) and take a pic?

the intervening weeks have been eventful: plenty of reading and a collagraphy workshop at the print studio. i also watch the imagine programme about david hockney. there's two significant things to take from it:

(a) the problem that is western perspective. how it's catapults the viewer out of the picture plane. and hockney's many attempts to re-enter that plane, by focus on movement and by tracking the many perspectives that our eyes actually see as we watch.

(b) presence and mortality in the countryside. it's somehow a bit clicheed: go back to nature to get a sense of beginnings and ends and the neverending cycles thereof. but it nonetheless led to a series of (quiet) notes to myself.

more practically, i took a step towards my idea of temporality of the daucus carota plant by ordering two accordion sketchbooks - hockney's example of drawing the mess of a yorkshire hedge as individual plants in a moving book is being transposed not the wild carrots but the wildly growing border in our backyard.

i'll fill the book with the border. i'm confident that there will be more wild growing plants in the border than the pages in the book. i know that if i was recording flying insects i would loose - there seem to be virtually none around whatsoever. what change to the fields and the field from a month ago.

the moving imagery i find for this is a bit limited...

here's a slideshow of an early part of hockney's 3 years in Yorkshire: a series of watercolour paitings:

And some more of plein air scenes of the same wood throughout the year:

but lushest are probably the stills of his paintings at google.


SamArtDog said...

Is there such a thing as coincidence? Probably not. So here's another one...

Casey Klahn (
challenged me to list 100 things I love about art. One of the things I immediately thought of was Hockney. You prove my point.

Gesa said...

:) - it's interesting, prior to seeing this programme i hadn't thought that much of him - though was impressed by the Bigger Trees he did for the Summer show. I'm still not sure of how much his paintings do for me aesthetically but very much appreciated his concerns/ideas contained and expressed therein.